The Victorian with an X-Factor

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When it comes to style in today’s world, there’s not too much that shocks us to our core that we’d banish anyone from our sight. Just recall how we’ve reacted to celebrities and entertainers and their choice of garments in just the last 20 years. Sure we are sometimes in awe (good and bad) by the choice of style that someone may wear but it’s not too often an outfit sends us into a tailspin.

Unfortunately, this non-nonchalant attitude towards fashion wasn’t the same during the Victorian Era. This was put to the test when John Singer Sargent, an American Artist, decided to capture the beauty of socialite, Virginie Avegno Gautreau, in 1800s Paris, France.

You may have seen this painting before in an art or history class:

Madame_X_(Madame_Pierre_Gautreau),_John_Singer_Sargent,_1884_(unfree_frame_crop)

The famous painting received it’s notoriety because of the brazen way the artist painted his subject by showing so much skin (something we’re definitely not shocked by in today’s age). Both the artist and the model did not receive the reception they were hoping. The painting was debuted in 1884 under the title Portrait de Mme *** at the Paris Salon.  Viewers were shocked by the “distastefulness” this portrait portrayed of a beautiful married socialite. Sargent was asked by her mother to withdraw the exhibition but he refused by saying he painted her, “exactly as she was dressed, that nothing could be said of the canvas worse than had been said in print of her appearance.”  He later altered the painting by raising the shoulder strap up to make it seem more securely fastened as opposed to practically falling off her body; which apparently must have sent many people into fainting spells. He also changed the title from Portrait de Mme *** to what it is known as today, Madame X.

SargentParis1885

The model and muse, Gautreau, was humiliated by the ordeal and Sargent permanently moved to London. Sargent remained proud of his work as he displayed it in his studio and later sold it to the Metropolitan Museum of Art. Gautreau did not allow the humiliation to linger too many years as she posed for another artist,  Gustave Courtois, in another setting in a similar dress that revealed a bit more skin. She rounded out her modeling career by posing for Antonio de la Gandara in the late 1800s.

So as you can see, art and fashion have come a long way throughout the 20th century and “Madame X” may have started it all with her Victorian x-factor.

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